If you’re searching best Professional DSLR Cameras of 2020 you can buy, this is the list you need. We’ve rigorously tested all of the latest and greatest DSLR models to find the top options for every kind of photographer.
Here is the list of Top 5 Best professional DSLR Cameras of 2020 with Detailed Review and Price. Check it and choose the Best.
Nikon D850: Best Overall
Design and Build:
Nikon D850 is best professional DSLR cameras of 2020. Built with a magnesium-alloy frame with weather sealing for moisture and dust, the D850 feels firm in the hand. We took the camera to a dust-filled motocross route and it wasn’t flustered one bit. Managing the D850 is extremely easy for any photographer who has shot with a Nikon DSLR before. It has much of the same design of earlier Nikon models, yet has a few notable upgrades from its ancestors. The control arrangement is similar to the D810, but now many of the buttons can be illuminated, just like the D5.
The top of the camera houses the well-known secondary screen that displays shooting data, and the ISO button, dedicated video record button, and exposure compensation button all sit within it and the shutter release. While the camera serves up plenty of physical controls, users can also make some modifications through the high definition LCD screen. The touch interface brings anticipated options like touch-to-focus, but also offers smartphone-like playback characteristics, enabling you to swipe through your shots or pinch to zoom. According to Experts it is one of the best Professional DSLR cameras of 2020.
With a 45.7-megapixel full-frame sensor, the D850 shoots files that are humongous 8,256-pixels wide. With such a high resolution, it’s no wonder that the D850 captures extraordinary detail. And With that higher resolution, zooming and cropping is no problem. The tradeoff for more megapixels is often noise, but that doesn’t appear to be a problem here. The D850 uses a backside-illuminated sensor, just the 2nd full-frame model to do so after Sony’s A7R II. This enhances light sensitivity, and in our judgment, high-ISO photographs came out with a low level of noise.
Even at ISO 6,400, the noise wasn’t detectable until after zooming in the past 50%. We wouldn’t hesitate to use even higher settings when essential, particularly when you’re outputting to smaller file sizes. Nikon has always had amazing color science and this is another area where the D850 doesn’t fail. Colors are accurate, popping without being oversaturated. With the D850, Nikon also inaugurated 2 new auto white balance modes that enable you to choose a warmer or cooler look without applying a custom white balance. While white balance is easy to settle on RAW files, this simple change helped create JPEGs that were already great straight from the DSLR camera.
Video And Time-Lapse:
With such high resolution, the Nikon D850 camera can shoot 8K time-lapses, but only if you’re ready to compile them yourself in post. In-camera, you can build 4K time-lapses, though. The camera features both regular interval meter shooting, which will take photos at frequently spaced periods but leave them as individual files, and a time-lapse movie mode, which will render the shots as a video file in-camera. Users after the most control and resolution should attach to the interval meter mode, but the time-lapse mode is delightful for its ease of use and time conservations.
The Nikon D850 can also shoot 4K video at 30 frames per second, and while it’s not Nikon’s first 4K camera, it is the first to shoot 4K from the full width of the sensor. The D5, D500, and D7500 all shoot 4K by cropping. We found the video quality to be exceptional, with sharp detail and elegant color, and getting the full-frame look in video mode is a clear plus. Stepping down to 1080p resolution, the D850 allows 120-fps slow motion options at 4x and 5x, a feature that’s difficult to find in-camera. The detail isn’t as good with the lower resolution, but the feature makes for some pretty smooth action progressions with minimum effort. As we discussed before, the autofocus in video mode isn’t fabulous. Like with any DSLR, serious videographers are going to want to accessorize with a follow focus system.
The Nikon D850 mixes big resolution and active speed inside a simple and long-lasting magnesium alloy body. Add in exceptional image quality, great autofocus 8K and 4K time-lapse, 4K video, 120 frames per second full high definition slow motion, and a well-organized control system and the D850 is on its way for the best DSLR of the year. Live-view autofocus doesn’t live up to the measure set by Canon. But mirror less cameras and Snap bridge connectivity are very much trustworthy.
There’s also no pop-up flash, and while we realize that’s not a big issue for most users, having a built-in wireless flash commander was always a pleasant touch in previous D800-series cameras. The Nikon D850 lists for $3,300, but that price jumps to about $3,850 once you tack on the accessories needed to hit the 9 frames per second speed. Though regarding the 2-year-old 50MP Canon 5DSR still carries an MSRP of $3,899, shoots at 5 frames per second, and doesn’t have a backlit sensor or 4K video, we can’t debate that the D850 is overpriced.
2- Canon EOS 90D :
Build And Design:
The Canon EOS 90D is no lightweight — not in features nor in physical bulk.. Weighing 701 grams, the camera is every inch a traditional DSLR. However, that larger size felt better suited for my hands than some smaller cameras (also suitable for small hands). As Canon’s most superior crop sensor DSLR, the 90D will feel instantly familiar to 80D shooters and takes on several of the physical characteristics more common in full-frame DSLRs. The top of the camera features a secondary screen that can be brightened at the press of a button to see important shooting settings while working in low light. A joystick makes fast work of modifying the focal point, however, annoyingly, the control defaults to off and you have to dig into the menu to get it to really do anything. According to Experts it is one of the best professional DSLR cameras of 2020.
Dual control wheels, one at the top by the shutter release and a 2nd on the back of the camera, offer immediate access to shutter speed and f-stop. The rear control wheel isn’t actually where the thumb rests easily, creating a somewhat uncomfortable grip when using it compared to cameras that the dial farther up. The shutter and aperture are easy to modify without shifting your eye away from the viewfinder.
If you’re new to Canon, the top buttons for autofocus, drive mode, ISO, and metering mode will time some time to learn, since all of them feel similar except for the ISO selection which has a little bump in it. The back of the 90D is controlled, as suspected, by an articulating LCD screen, which also tilts to the side a full 180 degrees. Less suspected, the touchscreen is easy to utilize and the screen options were large enough not to “fat finger” the wrong option. Images on-screen are sharp, with exceptional color. Unhappily, the 90D features only a one SD card slot, however, many photographers are presumably just fine with this. It also has ports for USB, HDMI, and a microphone.
Battery And More:
The optical viewfinder is what places a DSLR apart form a mirror less camera. It’s also what enables 90D to shoot all day long without changing batteries. Battery life is rated at 1,860 shots, but as always, real-world use may see much more than that. We shot nearly 1,180 photos — including some with Live View — and half of the battery is still remaining. Annoyingly, some of the more advanced characteristics are left off by default, sending new users digging into the menu to really activate them and turn them on. Besides the joystick that has no function ere one is assigned to it, focus peaking and eye-detection autofocus will require to be turned on within the menu. These may end up being characteristics that you find years after having the camera.
The extra resolution on the 90D creates an excellent level of detail, keeping accurate details and texture intact. The sensor captures a 6,960-pixel wide image, which leaves nice room to crop. The trade-off for more megapixels is noise, but upgrading to the DIGIC 8 processor means noise isn’t too terrifying. Viewing the images at full resolution, the noise was easy to locate at ISO 800, including color noise. With some noise decrease in the post, I would shoot at up to ISO 6,400 before troubling about serious quality degradation.
Colors on the 90D are what we’d assume from a Canon — usually perfect, with good saturation. The auto white balance leads to favor a cooler look, which is the contrast of what I’ve seen with Nikon. The RAW files from the 90D are adjustable — I was able to obtain a good amount of details from the shadows in post. Even some highlight detail could be retrieved if the image wasn’t too overexposed. Paired with the 18-135mm f/3.5-5.6, images are sharp at the center and still moderately firm at the edges. The telephoto end of this longer kit lens assists pay for the narrower aperture, in terms of generating nicely out-of-focus backgrounds. The lens even creates some nice, soft circular bokeh, but clearly Canon makes better lenses if you want to take things to the next level.
With both fast bursts and high resolution, the Canon EOS 90D is one of the most trustworthy crop-sensor DSLRs on the market. It offers exceptional speed, solid autofocus, and uncropped 4K enclosed in a luxurious body with amazing battery life. So, it Could be the best DSLR out there.
3- Nikon D3500 :
Build And Design:
If you’re comparing the D3500 against other mirror less DSLR,s, its body is going to appear tolerably fat and stocky by comparison. This does give you a solid grip on the camera, though, and a redesigned button design on the back makes the D3500 easy to manage without accidentally pressing buttons The D3500’s newly-updated control design is easy to use and effective too. The rear screen is not touch-sensitive, so you’re reliant on the physical buttons and dials. The screen is not moveable, without even a tilting mechanism for low angle shots, but you have to do some compromises at this price. The display quality is amazing, however, with sharp detail and rich, clear colors.
The information display is particularly great, explaining to you graphical representations of the shutter speed, lens aperture, and ISO setting, and this goes a long way towards demystifying exposure settings and how they cooperate. The main mode dial on the head of the camera is sharply labeled and has a definite, firm feel. Right alongside is the camera’s unique control dial, which also has a great feel. It’s unmarked, and its function switches according to the mode you’re in. According to Experts it is one of the best professional DSLR cameras of 2020.
- Sensor: 24.2Mega pixels APS-C CMOS 4, 23.5 x 15.6mm.
- Image processor: EXPEED 4.
- AF points: 11-point AF
- ISO range: 100 to 25,600.
- Max image size: 6,000 x 4,000 pixels.
- Metering zones: 420-pixel RGB sensor.
- Video: 1920 x 1080 at 60p, 50p, 30p, 25p, 24p.
- Viewfinder: Optical pentamirror, 95% coverage.
- Memory card: SD/SDHC/SDXC UHS I.
- LCD: 3.0in, 921K dots.
- Max burst: 5 frame per second.
- Connections: Bluetooth.
- Size: 124 x 97 x 69.5mm
- Weight: 14.6387 ounces
If it’s unquestionably a DSLR you want, the Nikon D3500 faces some tough competition in the Canon range. The EOS 4000D is more economical, but so cheaply made that it doesn’t feel worth it, and the results aren’t as amazing as the Nikon’s either. The Nikon D3500 does have its flaws, obviously, because of its cost and its dedicated audience, but we think it’s simply the best DSLR for beginners right now – and because mirrorless DSLR’s with viewfinders usually has more cost, we’d say it’s the best camera for beginners for sure.
4- Nikon D7500 :
Build And Design:
After testing a lot of mirror less cameras, the D7500’s fat, weighty body is a pleasant change. It’s not as large as a pro DSLR, but it’s a good step up from entry-level DSLRs like the Nikon D3500 or Canon’s EOS 5D. A deep grip on the front gives you a safe, firm hold on the camera; round the back, the extra height in the body gives enough space around the big, tilting screen for the buttons.
You pull out the bottom of the screen to modify the angle, and a continuing hinge moves it further away from the body so that it’s not partially covered by the viewfinder eyecup. It also tilts downwards somewhat for overhead shots. The Live View button is on the back of the camera at the bottom, inside a lever to shift between stills and video. The D7500 doesn’t have a hybrid AF system like Canon’s DSLRs, so in Live View mode, it relies entirely on contrast autofocus, which is accurate, but slower. Even so, the D7500’s Live View autofocus appears a little faster than previous models – Nikon suggests this could be due to the more powerful Exceed 5 processor.
The D7500’s optical viewfinder is great. It uses a usual pent prism design and offers 100% coverage. There is an opinion that optical viewfinders are intrinsically lower to electronic viewfinders because they don’t show the digital image as the sensor will capture it. There is a counter-argument, though. With a DSLR, you can move your eye from the real world to the viewfinder and recognize exactly the same naked-eye, optical view. You don’t perceive the discontinuity of an electronic viewfinder, and you can still review the image quickly after you’ve shot it on the rear screen. According to Experts it is one of the best professional DSLR cameras of 2020.
- Sensor: 20.9MegaPixels APS-C CMOS
- Focal length on lens: 1.5x
- Memory: SD/SDHC/SDXC (UHS-I)
- Viewfinder: Optical pent prism, full coverage
- Max video resolution: 4K UHD 3,840 x 2,160
- ISO range: 100-51,200, expandable to 50-1,640,000
- Autofocus: 51-point phase-detection AF, 15 cross-type
- Max burst rate: 8frames per second
- Screen: Tilting 3.2-inch touchscreen, 922k dots
- Shutter speeds: 30-1/8,000 sec, Bulb
- Weight: 25.3973 ounces
- Dimensions: 136 x 104 x 73mm
- Power supply: EN-EL15a lithium-ion battery
Nikon’s drop from its old 24MP sensors to new 20 MP versions will have shocked many and still looks a little different today. This does have a small influence on the D7500’s obvious resolution, though its speed, low-light performance and overall image quality are 1st rates. When it was first launched it seemed like a bit of routine range-filling on Nikon’s part among the D7200 and D500, but as competitive DSLRs have disappeared and the D7500’s own price has dropped, it now finds itself in a very tough position in the DSLR market.
5- Canon EOS Rebel SL3 / 250D:
Build And Design:
The Canon Rebel SL3 / EOS 250D is very tiny for a DSLR, particularly in width and weight. The DSLR design means the body has to be thicker to support the mirror, and while the Canon 18-55mm f/4-5.6 IS STM kit lens is pretty dense, it’s not a retracting type, so the blend of the thick camera body and lens makes the Canon a lot ‘longer’ than competitive mirror less cameras like the Fujifilm X-T100. It’s certainly small for a DSLR, but it’s a good deal greater than a mirror less model. The body has a large-sized grip, making the Canon comfortable and secure to hold one-handed. The body does have a slightly plasticky texture, but that’s offset by high-quality knobs and dials – particularly the main mode dial and power on/off switch, which has a 3rd position for accessing the video mode. According to Experts it is one of the best professional DSLR cameras of 2020.
If you were shooting sports and tracking fast-moving targets you’d need a more advanced autofocus system than the 9-point AF in the Rebel SL3 / 250D, but although it can keep up a consistent 5 fps constant shooting speed, it’s not that kind of camera, and for daily photography the autofocus system is great. It’s even more satisfying in Live View mode, where Canon’s latest Dual Pixel CMOS AF system takes over and delivers autofocus speeds which feel even quicker. You can choose between subject-tracking AF mode, Spot AF, Single-point AF, and Zone AF, in either single-shot mode or constant Servo AF mode. You switch from stills photography to video utilizing a 3rd position on the main power switch. The camera automatically enters Live View mode (you can’t shoot video using the viewfinder on a DSLR because the mirror is locked up) and changes to continuous autofocus mode
- Sensor: 24.1MegaPixels APS-C CMOS, 22.3 x 14.9mm
- Img processor: DIGIC 8
- AF points: 9-point phase detection
- ISO range: 100 to 25,600 (expected. 51,200)
- Maximum img. size: 6,000 x 4,000
- Metering modes: Evaluative, Centre-weighted, Spot, Partial
- Video: 4K UHD at 60p, 50p, 30p, 25p, 24p
- Viewfinder: Optical pentamirror, 95% coverage, 0.87x magnification
- Memory card: SD/SDHC/SDXC
- LCD: 3-inch vari-angle touchscreen, 1.04m dots
- Max burst: 5 frames per second
- Connectivity: Wi-Fi, Bluetooth
- Size: 122.4 x 92.6 x 69.8mm
- Weight: 15.9086 ounces
There are 2 cheaper DSLRs in the Canon range than this camera – the EOS Rebel T100 / 4000D and the EOS Rebel SL7 / EOS 2000D – but we consider this Canon EOS SL3 / 250D is a more solid buy than both of them. It does cost more, but it’s worth paying the extra. The 2 cheaper Canons are built down to a price and lack characteristics you’re almost certainly going to want later, while the Rebel SL3 / 250D has Canon’s top APS-C sensor, very good Live View autofocus and 4K video in the excellent package for novices.